The RSW Logo fills the screen. Slowly, images start to bleed through. Red swirls, white, black dots…..As more and more of the image bleeds through the logo the screen pans up to a Hell in a cell. A blood red sign on the side of its states “RSW’s presents Masquerade” on it in flaky paint. On the hoarding are various pictures of RSW superstars painted on them painted in the style of superheroes.
Quick cuts of various wrestlers from around the world flash onto the big screen. It’s a spectacle, and we see bits and snippets of it all, the finishers, the blows, the bloodshed, the brutality. The picture bleeds red until we see RSW’s World Heavyweight Championship Belt.
VOICE: Dreams have to begin somewhere so why not tonight?
Two wrestlers face off in the ring. The first one is slamming the other in the head over and over, with the second blow, blood starts to spray, but the first fighter doesn’t stop hitting, crazed look is in his eye, as the referee jumps in to stop him.
VOICE: The squared circle holds that beginning for those that enter it.
Shots of other wrestlers flash on the screen until it stop on another, going through a beautiful Tai Chi form. It is very peaceful and graceful. The form ends with a palm strike towards the screen, blacking it out. The ring lights up in a huge blood-red light.
VOICE: Welcome to Riot Star Wrestling. This is MASQUERADE!
A camera flies around the building, passed the stage where a hell in a cell is hanging from the ceiling; to the announce table eventually to the wrestling ring. It is surrounded by a mass of human debauchery; Piercing, tattoos, mingling with the weirdest fashions as they gather behind the barriers. The whole place is like a flaming mosh pit – bodies walk across heads of people while others get tossed and thrown. This crowd is determined to be a part of history. The first ever RSW pay per view from this country. The lights go out.
Spotlights cut through the murky darkness of the room while “Immigrant Song” by Led Zeppelin blares around it. The sound of the crowd, barely visible in the darkness, is a rumble in the darkness, not unlike the sound of an enraged animal.
They are cheering on Riot Star Wrestling’s Masquerade’s pay per view.
The camera pans to the ringside where we see Joseph Greer dressed in his suit and his broadcast partner Tommy Onions dressed in a colourful t-shirt and jeans.
JOSEPH GREER: Welcome ladies and gentlemen to our latest pay per view. Glad to see you have joined us, and hope you’ll enjoy yourselves here.
The lights come back on to reveal a bunch of hooded figures stood in middle of the ring. The smaller figure at the front pulls down her hood revealing herself to be Emily Koresh. She is dressed in what could only be described as a Victorian inspired S&M outfit with lots of flesh on display.
EMILY KORESH: Greetings and salutations ladies, gentlemen and those of you out there in television land yet to decide if they want some tackle swinging between their legs or not. My name is Emily Koresh and these fine young gentlemen standing behind me, they are my family. Firstly this monster right here is my cousin Caleb. He looks a bit weird but being over seven feet tall he doesn’t give a damn what you think. In days gone past we would have been in what you people call freak shows.
Caleb seems to have a form of regressive atavism, meaning that he has inherited traits of a reptile. His skin is hardened. Emily slaps Caleb on the back who doesn’t look too impressed at all with the proceedings. Then she motioned to one of the other man.
EMILY KORESH: And this ultimate specimen of Abilene meat. This is none other than one half of one of my other cousins, Cain. Don’t let the fact that he’s got one arm put you off. He is scary but hell, he’s my cousin.
Cain looks towards the camera. He seems to have originally been a conjoined twin but the second person has been cut away leaving a big scar where his arm should be.
EMILY KORESH: And we collectively are part of what is a special family. This is not all of us as we are everywhere. And I mean everywhere. We could be stood next to you in the line for the bus; we could be by you in the bar or even in the jail cell with you. Just don’t expect us to conform.
She smiles and looks around.
EMILY KORESH: But we’re not just here to introduce us to you, we’re here to introduce to you my brother to you………He is the two-time RSW World Heavyweight Champion………It is none other than the thirteen times World Heavyweight Champion of the world and one of the owners of this company, he is Nocturnal!!!!
The crowd, in warbled drunken, adrenalized unison, join Emily’s spiel.
That last syllable, chanted by Nocturnal’s dark minions and echoed no doubt, by millions upon millions in front of monitors in dens, living rooms, sports bars and less wholesome establishments across the world.
The crowd leans forward.
Then the lights in the arena dim. The Big Screen comes to life with just static. The static seems to zoom back, revealing a television. A small blonde haired girl, Heather O’Rourke, sits looking at the television. She seems mesmerized by the static on her television. Craig T. Nelson and Jo Beth Williams are standing behind her. She slowly raises her hands and places them on the screen of the television.
Craig T. Nelson: Carol Anne, what is it, honey?
Jo Beth Williams: Baby, are you ok?
The girl slowly turns her head back to them.
Heather O’Rourke (Carol Anne): They’re here…
Deep shadow covers the screen.
Parts of the screen slowly lighten up to reveal what appears to be a silhouette.
In darkness, a blood curdling cacophony: the squeal of unoiled winches, the rasp of hooks and razors being sharpened; and worse, and the howl of tormented souls. Above this din one particular victim yells for mercy with a mixture of tears and roars of rage.
Now the Screen is awash in people, crawling, scrabbling, and shambling masses, some of them moving in reverse. A sound like moaning accompanies them. The picture switches again. A figure stands upon a shore, its face shrouded. It points accusingly, not towards the screen, but at something unseen off to one side. The insect-like screeching sounds louder.
On the screen is a close up of an eye. Inside that eye is the sentence reflected in reverse: “You’re Worse Nightmare Is Back.” The eye blinks once, twice. The word remains. “Narcissistic Cannibal” by Korn starts blaring out. Suddenly the lights go out. Suddenly the screen seems to clear, what looks like the moon appears on it.
It’s not the moon at all, they realize. The shape is round like a full moon, but it seems to be made up of thin ribbons of cloud streaking against a night sky. And there’s a face, we see, a face hidden in shadows, looking down from above. The picture has a grainy look to it as it changes. The scene is of a young girl sitting in a chair in a straight-jacket behind her stood to her left is a Doctor. The nerve-wracking grating as if of some giant metallic insect sounds in the background, but the young girl doesn’t seem to notice. The Doctor stood to the left of the girl suddenly changes position from the left part of the picture, to the right. Almost instantly the Doctor returns to its original position, but in that one moment in its changed location we see a huge man with a shadow covering his face. The young girl turns towards where that figure stood, and smiles.
The screen next becomes a twitching, undulating impenetrable sea of the kanji characters used in the Japanese language. The viewers can pick out only a few things recognizable in English:
“Run whilst you still can.”
Now the screen is awash in people, crawling, scrabbling, and shambling masses, some of them moving in reverse. A sound like moaning accompanies them. The picture switches again. A figure stands upon a shore, its face shrouded. It points accusingly, not towards the screen, but at something unseen off to one side. The insect-like screeching sounds louder.
On the big screen is a close up on inhuman, alien-looking eye. Inside that eye a single word is reflected in reverse: Pain. The eye blinks once, twice. The word remains. It changes and we see a long shot of an outdoor, swimming pool, the man with the shadows for a face is swimming in it and the straight jacket young girl sits by it.
The arena drops into darkness as this weird movie is playing out on the big screen. Suddenly pyros explode in front of the big screen, as the fans literally jump from the shock. The roving arm of the overhead camera picks out people in the crowd. As they realize there on the screen they hold the signs higher. Orange strobes cut around the arena as blue smoke billows from underneath the grating on the ramp way. The whole entranceway bursts into flames. A figure can be seen on the other side of the flames; he is dressed in black robes with the hood pulled up.
He pulls the hood down, dropping the robes to the floor revealing to the crowd who it is; then, raising his massive arms over his head in an age-old gesture of defiance and supremacy as phosphorus flames blast in twin columns to the heavens behind him.
He stands motionless, emotionless. Then on some unseen signal he launches himself forward into the flames without a seconds thought, his dark eyes glaze over. He stands with his arms outstretched like a crucifixion. Flames lick around his head and engulf his clothing, yet he emerges from the other side unscathed.
He slowly walks towards the ring holding his back ignoring the cheers from the crowd. Nocturnal, dressed in a “Sadistic Bastard” T-shirt. As he passes a camera he stops and looks directly into the lens. He has the look of an arrogant champion on his face. He sees a sign which has on it “Nocturnal is our saviour” Nocturnal grabs it and holds it up to the camera.
JOSEPH GREER: Seems like Nocturnal wants to speak to his people.
TOMMY ONIONS: This is the first time he’s been back in a RSW ring in about a year.
JOSEPH GREER: What?
TOMMY ONIONS: Time to hang onto your ball sack Joseph.
He climbs between the ropes and strides to the far side of the ring. Climbing the turnbuckle he lifts his arms up high to the cheers of the crowd before he grimaces. Flash bulbs blink from all around the arena catching this moment in history. He gets down and looks around he nods his head and stands in the middle of the ring and roars as pyros explode behind him and the rest of his family.
TOMMY ONIONS: The Koresh family are here in force. I wonder if Emily is single?
JOSEPH GREER: Are you going to ask her that?
The smoke clears in the ring, he leans over the ropes and grabs a microphone off of one of the ring crew. He returns to the centre of the ring tapping the microphone making sure it is working; He looks around the arena awaiting the people to be quiet so he can talk. He cocks his head to the side.
JOSEPH GREER: The owner is out here to speak.
TOMMY ONIONS: Ok Mister obvious.
NOCTURNAL: Thank you sis.
A chant of “Nocturnal” goes around the arena.
Nocturnal sadistically smiles as he limps around the ring.
A cheer goes up.
NOCTURNAL: So the Innovator of Darkness is back in a RSW ring? A lot has changed whilst we’ve been gone. Rob Riot, retired. Morcant Davis, AWOL. Ruby Walsh, AWOL. PT Merciless, dead……..sort of. Any way the Sadistic Bastard has returned with his family to bring back the entertainment to the company that has been lost in the last few years.
Nocturnal smirks.
NOCTURNAL: They say that we are a degenerate bunch of murderers, psychos and cannibals but nothing has been proven. But now we are supposedly in Riot Star Wrestling having new saviours taking over from the Koresh Family. Well Awoken or whatever moniker that you have hung on your dressing room this is for you.
The fans go crazy as Nocturnal approaches the camera and sends a middle-finger across the world.
A laugh goes up around the arena.
NOCTURNAL: Everyone is scared of me? A lot of the locker room is now especially as I’ve got some power. As this is my first pay per view back and I’m not going to be wrestling in MY ring so I have to pass the torch and make it special.
He looks into the camera and smiles.
NOCTURNAL: We’ve booked an amazing main event. Have you seen it? Lucky for both Shane and D I was busy so couldn’t referee their Hell in a Cell match, I’ve left that job to Esmeralda. This is a match for the ages and a way to get us back on the right track. And if ANYONE interferes in that match will feel my wrath.
He walks around the ring.
NOCTURNAL: Also the Filth Factory put not only their reputations but this company’s reputation on the line when they challenge for the XHF Tag Championship. Let’s see if they are not blowing hot air and see if they are for real.
He pauses.
NOCTURNAL: We will fight fire with fire; it will be their baptism of flames. So let’s see what they can bring to the squared circle.
He throws the microphone to the mat and rolls out of the ring with the rest of the collective. As they walk up the ramp way Nocturnal seems to be surprised that he’s getting a few chants of “Nocturnal”
JOSEPH GREER: Ladies, gentlemen, mark this time, remember where you were when you switch on your laptops, get onto your face book, twitter or whatever social network you are on and say that you saw when Nocturnal returned to RSW and the boss had stuff to say.
TOMMY ONIONS: I know Joseph; and this main event is going to be amazing.
JOSEPH GREER: That is as long as you’re not the one interfering. Nocturnal’s not going to like that.
TOMMY ONIONS: Nocturnal does have a long history of anger management problems and now that he’s brought others to help him in his crusade here in RSW.